English bellow. Em Portugal foi até mais doloroso, e ainda o está a ser, uma daquelas dores silenciosas de injustiça latente de falência de um sonho, de um país, e essencialmente de uma Europa imaginada que afinal nunca chegou na realidade após estes anos todos. A única diferença é que os gregos refizeram a chamada tragédia grega, para trabalhar com a união as fundações de uma Europa justa, próspera, estável (para o que depois do que se passou do outro lado do oceano: ser sensível à liquidez dos americanos após o filme de WallStreet "Lemon Brothers", nunca volte a acontecer), e sobretudo democrática e livre: poder ser imprevisível mas ainda assim respeitar a sua própria lei.
O teatro grego compete com o cinema hollywoodesco do FMI e da FED e dos 9/11's Americanos. Significa que ao menos estão vivos, e levantam os braços para trabalhar uma solução de crescimento. Daqui vão surgir muitos livros aposto. De resto ambos ganharam, excepto os governantes tugas que se acobardaram sem qualquer convicção pois são iletrados em economia devido aos seus cursos comprados como é norma nestes partidos fantoche.
Em Inglês: In Portugal it was even more painful, and it still is, one of those silent pain of sheer bankruptcy of values, of a country, but essentially of an imagined Europa that in reality never came after all these years. The only difference is that the Greek reinvented their Greek tragedy play, in order to work with the union, the foundations of a new Europa, of justice, prosperity, stability (so that after what happened in the other side of the Atlantic: be too much sensitive to the American equity problems, after the WallStreet movie "Lemon Brothers" that's still shooting, never happen again), and more importantly: democracy and freedom to be unpredictable but still respect our own law.
The Greek theatre play fights with the hollywoodesque motion picture of the FMI and FED, aside the frequent american 9/11's (I also prefer hacker stuff). It means that at least they are alive, and they raise their arms to work on a solution for growth. From here many books will be written I bet. Anyways both win, except for the Portuguese government that run away without conviction, because they are ignorant in economics due to their fake counterfeited diplomas, as usual happens on dummy parties.
O teatro grego compete com o cinema hollywoodesco do FMI e da FED e dos 9/11's Americanos. Significa que ao menos estão vivos, e levantam os braços para trabalhar uma solução de crescimento. Daqui vão surgir muitos livros aposto. De resto ambos ganharam, excepto os governantes tugas que se acobardaram sem qualquer convicção pois são iletrados em economia devido aos seus cursos comprados como é norma nestes partidos fantoche.
Em Inglês: In Portugal it was even more painful, and it still is, one of those silent pain of sheer bankruptcy of values, of a country, but essentially of an imagined Europa that in reality never came after all these years. The only difference is that the Greek reinvented their Greek tragedy play, in order to work with the union, the foundations of a new Europa, of justice, prosperity, stability (so that after what happened in the other side of the Atlantic: be too much sensitive to the American equity problems, after the WallStreet movie "Lemon Brothers" that's still shooting, never happen again), and more importantly: democracy and freedom to be unpredictable but still respect our own law.
The Greek theatre play fights with the hollywoodesque motion picture of the FMI and FED, aside the frequent american 9/11's (I also prefer hacker stuff). It means that at least they are alive, and they raise their arms to work on a solution for growth. From here many books will be written I bet. Anyways both win, except for the Portuguese government that run away without conviction, because they are ignorant in economics due to their fake counterfeited diplomas, as usual happens on dummy parties.
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